Edgar Martins at Purdy Hicks Gallery: Destinerrance

Metroprint are pleased to have printed work for the presentation of Destinerrance, an exhibition by Edgar Martins at Purdy Hicks Gallery.

Both large- and small-scale Digital C-Type Matt Prints were produced for the show, comprising of previously unseen works from Martins’ most recent projects: Siloquies and Soliloquies on Death, Life and Other Interludes (2016-17), and What Photography has in Common with an Empty Vase (2018).

Martins uses photography to develop a philosophical, quasi-scientific investigation, examining various minimalist concepts of the contemporary urban landscape. Moving between the factual and fictional, between the concrete and the metaphorical, the artist operates within a landscape of uncertainty, permanent flux, transition and opposition. Destinerrance is themed on the object of the letter as a medium of documentation, visibility, and absence, represented here through abstraction, association, with collages and investigative still lives.

Destinerrance is a term proposed by the French philosopher Jacques Derrida in his seminal book La Carte Postale. According to the author, Destinerrance combines notions of destination and destiny with error or errancy. The images included in this exhibition tap into Derrida’s conception of Destinerrance; the work explores the philosophical concept of absence and addresses a broader consideration of the status of the photograph when questions of visibility and documentation overlap.

From a humanist perspective, the work seeks to reflect on how one deals with the absence of a loved one, brought on by enforced separation. From an ontological perspective it seeks answers to the following questions: how does one represent a subject that eludes visualization, that is absent or hidden from view? How does photography address the politics of visibility in an era that privileges transparency but is also sceptical of fact? And what does it mean for photography, in an epistemological, ontological, aesthetic and ethical sense, if it does not identify with the referent but the absence of the referent?

Exhibition dates: 12 October – 10 November 2018
Opening Times: Mon – Fri 10am – 6pm & Sat 11am – 6pm

Purdy Hicks Gallery
25 Thurloe Street
London, SW7 2LQ

Information © Purdy Hicks Gallery Press Release
Images © Edgar Martins, all via www.edgarmartins.com
  1. Rothko’s death changed everything Dead man tell no tales, 2017

Photo Printing

Prints ready for collection from 4 hours, or for delivery worldwide. We are able to produce bigger and better C-Type photo prints than anywhere else in the UK. Our photo prints can go up to 120 x 72 inches (3m x 1.8m) in size, giving you a huge choice of sizes when it comes to producing your prints.

Fine Art Giclee printing

While all of our colour and black and white photo printing services are of gallery quality, a lot of photographers and artists like to produce their fine art prints on Giclee watercolour paper, using archival pigment inks.

Black & White printing

We can produce real Silver Gelatin 'Darkroom prints' from your digital files. Working with Ilford, we are able to print directly to Ilford Galerie Silver FB Glossy fibre based bromide photo paper and Ilford Galerie Digital Silver RC Pearl.

Mounting your prints

After your photos have been printed, our mounting team are able to mount the prints on a range of substrates, ranging from the lightweight foamex, foamboard or kapamount. We can also mount ctype photo prints onto more sturdy materials such as dibond or aluminium, backed with either battens or a subframe, depending on print size.

Framing your photos

When ordering online, we offer a limited range of classic photo frames, in three finishes: white photo frame, smooth black photo frame or a solid light oak frame. Alternately, just order your prints online to take advantage of our great value online ordering system, then contact us to discuss alternate framing styles and our range of thousands of frame mouldings.